Friday, August 28, 2015

NEW RELEASES ON VINYL OUT NOW!!!!

ARNOLD FISH-IN THE LAND OF THE ELEPHANT BLUES 

https://godrecordsgardenofdreams.bandcamp.com/album/arnold-fish-in-the-land-of-the-elephant-blues

WET TAXIS-FROM THE ARCHIVES

https://godrecordsgardenofdreams.bandcamp.com/album/wet-taxis-from-the-archives

SAVANNA-DREAMS TO BE AWAKE

https://godrecordsgardenofdreams.bandcamp.com/album/savanna-dreams-to-be-awake

 

PRESS THE LINKS GET IN OUR BANDCAMP PLATFORM LISTEN FREE,AND BUY NOW!!!!

Tuesday, July 21, 2015


GREAT REVIEW ON OUR EZIAK-NO PLACE LAND CD ISSUE ON THIS MONTH'S FIREWORK UK MAGAZINE (NO. 73)PROG FUSION GEM FROM GREECE!!

https://godrecordsgardenofdreams.bandcamp.com/album/no-place-land

Monday, July 6, 2015

SAVANNA- DREAMS TO BE AWAKE

https://godrecordsgardenofdreams.bandcamp.com/album/savanna-dreams-to-be-awake

 GOD RECORDS GOD#005-PONTIAQ RECORDS LIMITED EDITION VINYL 250 COPIES,SPLATTER COLOR,ELECTRIC BLUE WITH YELLOW & ORANGE SPECKLES.NEO~POP~PSYCHEDELIA DELIGHT FROM PORTUGAL


credits

releases 31 July 2015

The Savanna are Miguel Vilhena, James Vilhena Pedro Castilho and Diogo Sousa. Have a history of exotic adventures and progressive hedonism.
"Dreams To Be Awake" is born in the labyrinths of a Lisbon surreal. Joining the 60's and 70 nowadays, is an exercise in dirty acoustic, analog-spiritual, full of melodies and psychedelic weirdness eared.
This long-term, both contemplative and frantic, is a melting pot that combines textural travel with pop reverie. The result is an exquisite soup as sweet as acid, that makes you want to repeat.
The disc name is also the title of one of his subjects, chosen by summarizing the most theme. References to dreams or the imaginary context, ambition or even sleep, are recurrent.
Requests for concerts began to emerge after the release of first single "Fancy Pants", which assured them "full house" in various concert halls around the country.
The album was recorded and produced by Miguel Vilhena in the Pontiaq studio, was mixed by Miguel Vilhena and Moullinex and mastered by Jerome Shmitt in Airlab studios (Alt J, Space, Ninja Tune).

Recording
Miguel Vilhena in studio pontiaq





Production
Miguel Vilhena
Mixture
Miguel Vilhena and Moullinex
Mastering
Jerome Schmitt in Airlab studios
Authorship
All music and lyrics by Miguel Vilhena except

Fancy Pants - Music and lyrics by Miguel Vilhena Pedro Castilho and James Vilhena
Hot Winds - Music by Miguel Vilhena Pedro Castilho and James Vilhena; letter by Miguel Vilhena
The Lab - Music by Miguel Vilhena Vilhena and James; letter by Miguel Vilhena, Vilhena and Tiago Luis Lucena
FuzZzZz - Music by Miguel Vilhena Pedro Castilho and James Vilhena; letter by Miguel Vilhena

Artwork
Joana Figueiredo Esteves

Thursday, June 18, 2015


REVIEW ON OUR ISSUE OF WET TAXIS-FROM THE ARCHIVES IN UGLY THINGS MAGAZINE,THIS ISSUE #39 

LISTEN DOWNLOAD &ORDER HERE:https://godrecordsgardenofdreams.bandcamp.com/album/wet-taxis-from-the-archives

WET TAXIS – From The Archives (G.O.D. Records, Greece) LP/CD/Download

Review by David Laing.http://ugly-things.com/
They were a weird mob these Wet Taxis. Severed Heads-connected experimentalists who discovered the newly-minted Pebbles series and became an industrial-tinged conceptualised '60s covers band on the Birdman-worshipping Sydney scene in the early ‘80s, these guys were not your typical garage revivalists. But they were great. They didn't do dress ups and they didn't care for authenticity (although they did stick closely to the template); they simply heard something in the music and explored it. And they had at least two secret weapons: the expressive low budget guitar pyrotechnics of lead guy Simon Knuckey, and the rich, soulful baritone of troubled vocalist Louis Tillett. These instruments were utilised to highlight the dark feeling in the material and which gave them the power to share stages with the likes of the Celibate Rifles and the Scientists. Although this incarnation of the band was short-lived, Tillett kept the band going, adding keys and brass and strong original material to create a brooding acid blues-jazz vibe (with an occasional pagan/early folk influence in the melodies) , and then continuing with a prolific solo career along the same lines, seemingly becoming some sort Graham Bond-like figure (the cowl and witch-obsessions didn't help) in the process. (As an aside, Tillett's later and post-Taxis stuff is well worth hearing - it's like he latched on to the influences of Ray Charles, Mose Allison and the like in the garage stuff and followed his own path with them. In a Sydney Sound context you could compare some of his stuff to Birdman tracks like 'Love Kills' – long-time Birdman & New Christs bass player Jim Dickson worked with Louis often at this point, and Deniz Tek was a rare collaborator - but Tillett also worked with Ed Kuepper's jazz-inspired Laughing Clowns and a number of figures on Sydney's jazz scene, including Jackie Orszaczky of Syrius.) Originally a posthumous souvenir of the original band’s brief lifespan, From The Archives mixes short experimental pieces with well recorded live material including great covers of the Spit Ends "Rich With Nothin’", We The People's "You Burn Me Up & Down" and the Unrelated Segments' "It's Gonna Rain" (but not their super-intense version of "Cry Cry Cry") amongst others. Sadly this limited reissue sadly doesn't add the great cover of the Atlantics' "Come On" that the early line/up took to the top of the Aussie indie charts in '84, nor the version of the Guess Who's "Clock On The Wall" that was its b-side (and which became a Tillett signature tune), but I guess you take what you can get. And anything with the Wet Taxis or Louis Tillett's name on it is worth your time. (David Laing)












Sunday, June 7, 2015


ΤΟ ΜΑΚΕ A LONG STORY SHORT...

emoticon smilBETWEEN THE 5TH OF JUNE AND THE 7TH MR. MARKKU HELIN WHO REPRESENDS THE BAND "PERMANENT CLEAR LIGHT" HAD AN OUTBURST OF THE WORST KIND HERE ON FACEBOOK (NOT HIS FIRST ONE TO US) AND STARTED DESFAMATING,CURSING AND SLANDERING OUR RECORD LABEL'CALLING US BOOTLEGERS AND CRIMINAL

WE ISSUED THE PERMANENT CLEAR LIGHT VINYL LP AFTER HAVING A LEGAL CONTRACT WITH THE BAND WHICH WAS SIGNED BY MYSELF AND MR. MARKKU HELIN.WE SIGNED THE CONTRACT IN THE END OF 2014 MONTHS BEFORE WE ISSUED HIS RECORD WHICH YOU ALL KNOW WAS A BIG HIT THAT SOLD OUT IN TWO MONTHS. THIS CONTRACT CLEARLY STATES THAT THE RECORD'S (THAT WAS ISSUED FEBRUARY 26TH 2015) MECHANICAL RIGHTS TO ALL THE SONGS IN ANY PHYSICAL OR DIGITAL FORMATS BELONG TO G.O.D. RECORDS UNTIL JANUARY 2019.ALSO THE COVER ART THAT OUR ART TEAM DESIGNED AND CREATED BELONGS 100% TO G.O.D. RECORDS TO USE.MR. MARKKU HELIN WAS PAYED AS AGREED IN COPIES OF THE RECORD SEND TO HIS ADDRESS IN FINLAND.
AFTER A WHILE (AND SOME OUTBURSTS WE BEGUN TO GET USED TO IN WHICH HE WAS CURSING MY WHOLE FAMILY) HE STATED THAT HE WAS OK NOW AND WANTED TO RELEASE A 7" VINYL RECORD WITH US INCLUDING TWO NEW SONGS. I SAID I'LL THINK ABOUT IT (BOY AM I A SLOW LEARNER? emoticon smile ) BUT AFTER A WEEK HE SAID THERE WAS NO TIME AND GAVE THE 7" TO ANOTHER LABEL "BECAUSE IT HAD TO GET OUT FOR THE SUMMER,IT'S A SUMMER SONG".
I WAS CONTACTED BY HIM VIA EMAIL AND WAS SHOWN THE COVER IN THE PICTURE BELLOW MADE BY FRUITS DE MER LABEL FOR THE ISSUE AND SAW THAT IT CLEARLY INDICATED "RIBES NIGRUM" A SONG WE HAD ALREADY ISSUED AND HAD THE MECHANICAL RIGHTS FOR (REMIX, IT SAID) AND OUR COVER OF THE LP WHERE IT WAS CREDITED TO THE BAND STATING VAGUELY THAT THEY ARE ON FACEBOOK WITH NO MENTION WHATSOEVER TO OUR LABEL OR OUR ISSUE ALTHOUGH BOTH SONG AND COVER BELONGED TO US BY CONTRACT (ANYBODY INTERESTED PM ME YOUR EMAIL I CAN SEND YOU THE CONTRACT SIGNED BY ME AND MR HELIN VIA EMAIL).
I CONTACTED MR KEITH JONES AND STATED THE OBVIOUS AND HE SAID HE DIDNT KNOW ABOUT OUR RIGHTS AND THAT IN THAT CASE HE WOULDNT ISSUE THE 7" WITH THE PCL'S SONG BUT HE WOULD CHOOSE ANOTHER BAND. I NEVER INDICATED THAT I DIDNT WANT IT TO BE ISSUED, I JUST CLAIMED OUR RIGHTS,THAT IS FIRSTLY IF OUR COVER IS THERE,WE SHOULD BE MENTIONED AS THE ISSUERS AND LINKED AND FOR THE USE OF THE SONG A MERE COMPENSATION OF 15 VINYL COPIES.


MARKKU HELIN THEN BROKE LOOSE (ONCE AGAIN) SENDING THREATENING AND BLACKMAILING EMAILS TO OUR LABELS ACCOUNT,THEN AFTER WE REPORTED HIM TO THE GREEK POLICE ELECTRONIC CRIMES,HE STARTED HIS SLANDER AND DESFAMATION ON HIS TIMELINE ON FACEBOOK WITH 5 POSTS,MOST OF YOU KNOW,SOME EVEN RUSHED TO LIKE AND COMMENT WITHOUT HEARING BOTH SIDES... emoticon wink
HE STILL CONTINUES TO SEND THREAT EMAILS WITH HIS LAST ONE STATING "I AM A MANIC DEPPRESSIVE NO ONE CAN FIND ME ACCOUNTABLE FOR WHAT I SAY" (STILL ALL EMAILS ARE AVAILABLE TO SEND TO ALL INTERESTED TO READ) SO OUR LAWYERS JOINED FORCES WITH THE LEGAL TEAM OF FACEBOOK AND WE ARE SENDING MR MARKKU HELIN A LAW SUE,TO PROTECT AND DEFEND THE NAME OF OUR COMPANY AND OURSELVES AND FAMILY.I JUST NEEDED TO STATE THE FACTS TO ALL OF YOU,AND SET THINGS STRAIGHT,A BIG THANK YOU TO THOSE WHO STOOD BY OUR SIDE,YOU KNOW WHO YOU ARE! AND THAT, BELIEVE ME,IS THE LONG STORY BEING SHORTENED...emoticon winkI'm glad to report that the dispute and (frankly) misunderstanding between Permanent Clear Light and Greece's G.O.D. Records is now solved. I am genuinely sorry for G.O.D:s Michalis and Maria for my harsh words but as I said it's all settled now!!! They're free to re-release our album and I certainly hope it will sell out as fast as the first release! This is only beneficial to both parties. Sorry, Maria & Michalis!THE APOLOGY POST BY MR MARKKU HELIN,ALSO IN HIS TIMELINE 
emoticon smile
PS: MR MARKKU HELINS APOLOGY (JUST POSTED ON HIS TIMELINE) 
Markku Helin
I'm glad to report that the dispute and (frankly) misunderstanding between Permanent Clear Light and Greece's G.O.D. Records is now solved. I am genuinely sorry for G.O.D:s Michalis and Maria for my harsh words but as I said it's all settled now!!! They're free to re-release our album and I certainly hope it will sell out as fast as the first release! This is only beneficial to both parties. Sorry, Maria & Michalis!